Posted by Jane Janeczko on September 16, 2013
If I had to pinpoint one dominant color in my wardrobe it would undeniably be black. There was a time when essentially the only colors I ever wore were black, onyx or obsidian, with the occasional silver or gold accent. I even had a mild goth phase in high school complete with the necessary Doc Martens and obsessively applied matte, black lipstick. Thankfully, I grew out of my color-phobia and now my closet is a veritable treasure trove of patterned, rainbow delights. But, I still find nothing more effortless or chic than the famous little black dress. The IGIGI Veronica Dress has all of the classic elements of a well made LBD with a certain added elegance thanks to thoughtful detailing like a dramatic keyhole neckline and a hidden, mid-skirt slit for an extra injection of glamour.
When shopping for an LBD, it is important to remember to steer clear of anything too trendy. A little black dress should be timeless, elegant and therefore free from the limits of trends, after all, the little black dress in it’s modern incarnation is attributed to Coco Chanel herself. In fact, the first published fashion image of a little black dress was an illustration of a Chanel dress in an October 1926 issue of Vogue. Vogue called the dress “Chanel’s Ford,” in reference to the reliable and omnipresent Model-T’s that Ford was turning out in the 1920’s:
“The Chanel “Ford” the frock that all the world will wear is model 817 of black crepe de chine. The bodice blouses slightly at the front and sides and has a tight bolero at the back. Especially chic is the arrangement of tiny tucks which cross in front. Imported by Saks.”
This revolutionary garment only earned 51 words in Vogue, but it laid the groundwork for a stunning overhaul of the fashion industry. The color black, until the 1920’s, was most commonly associated with nuns, widows and, of course, witches. Now black is thought as much more of a seductive and alluring color thanks to associations with pop culture icons like Betty Boop and the great Edith Piaf. Actually, the true explosion of LBD lust hit in 1961 when Audrey Hepburn sashayed across the screen as Ms. Holly Golightly in Breakfast at Tiffany’s. For an extensive record of the LBD check out Amy Holman Edelman’s book “The Little Black Dress” which traces the black dress from John Singer Sargent’s painting, Portrait of Madame X, to the music video of Robert Palmer’s song “Addicted to Love.”
Ideally, the perfect little black dress should last from five to ten years. I know, that seems like a long time, but the very nature of the dress means that you should be seeking an economical, practical garment with structure. My ideal little black dress has a simple formula: the dress is made from a comfortable and worry free material like jersey, it has two to three interesting, but not overly trendy details, a thick strap or sleeve so I can easily wear a bra and a knee-length hem so I can go from flats to heels with no worries. Happily, the Veronica Dress hits all of these targets for me perfectly. Obviously fit is an incredibly important issue so make sure that your LBD fits you like a glove. It is definitely worth a trip to the tailor if you are intending for your dress to be a true wardrobe staple.
For more LBD inspo check out IGIGI’s Brooke Dress, the Virginia Dress, the Paola Dress and another personal favorite of mine, the ultra sultry Francesca Dress. Remember that simplicity and versatility are key when choosing your LBD because a good dress of any kind is designed to bring out your true beauty.